movie Glossary
Method Nose Acting
As a continual visual reminder that a character is self-destructive and has lost his dignity, the story will call for his character to injure his nose, therefore requiring him to walk around wearing a nose bandage. See Jack Nicholson in "Chinatown," Patrick Stewart in "Conspiracy Theory," Sylvester Stallone in "Cop Land," etc. Mark Dayton, Cosa Mesa, Calif.
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La Collectionneuse (Unrated) (1967)

During lazy summer days and nights, the subjects of "La Collectionneuse" practice idleness and slow-motion mind games in a villa in the hills above St. Tropez on the French Riviera. Sensuality is always in the air, where it drifts aimlessly. This is the third of Eric Rohmer's Moral Tales, the first at feature length, the first filmed in color. It functions as a jumping-off point for the rest of his long career.
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Women are nicer than men. There are exceptions. Most people of both sexes are probably fairly nice, given the nature of their upbringing and opportunities. But in terms of their lifelong natures, women are kinder, more empathetic, more generous. And the sooner more of them take positions of power, the better our chances as a species.

In those years we lived close to the ground. My earliest memory is lying flat on my stomach on our front sidewalk, my nose inches from a procession of ants. When you are short and a child, the earth is close and the world of adults towers above. You'd like to climb to the top shelf where you think the Oreos might be, but a more reliable entertainment is to use a sheet to make a cave out of a side table. I listened to the Lone Ranger while hiding under my bed, where I felt safe.
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by Barbara ScharresEvery day at the Cannes festival opens up the possibility of surprises, upsets, or major revelations. As Peter O'Toole in "Lawrence of Arabia" said, "Nothing is written." Film history is made here all the time, and I think some history was made today with the international debut of the American independent film "Beasts of the Southern Wild," by Benh Zeitlin, screening in the "A Certain Regard" section of the festival.. A first feature, it competes for the Camera d'Or. The world premiere was at Sundance back in January (where it won the Grand Jury Prize), but the high profile Cannes exposure will surely bring the film and its young star the worldwide attention it deserves.
by Barbara ScharresBy accident or by design, today's films premiering at Cannes, whether in competition, in the "A Certain Regard" section, or in special screenings out of competition, revolved around relationships, good, bad, or worse. Whether the bond is with a woman who has lost the will to live, an Orca whale (both seen in "Rust and Bone"), a cheating wife-beater ("Mystery"), a ghost ("Mekong Hotel"), or a male prostitute ("Paradise: Love"), things don't always turn out for the best.
by Donald LiebensonWatching "Norman Mailer: The American," I was struck by the similarities between Mailer and Charles Foster Kane. And it's not just that director Joseph Mantegna (not the actor) at one point employs the title card for "Citizen Kane's" faux newsreel "News on the March" to setup some archival footage. Or the fact that "American" was originally the proposed title for Orson Welles' masterpiece.
by Jeff ShannonAs I reflect on my life, I grow increasingly grateful for having witnessed the greatest half-century in the history of the United States. Consider just a few of the crucial events that have shaped us during the past 50 years: The civil rights movements for African-Americans, women and the disabled; the war in Vietnam and its domestic fallout; landing on the moon and exploring the outer reaches of the universe; the global trauma of AIDS and seemingly perpetual threats of war and terrorism; and, perhaps most important, the emergence and meteoric rise of the digital age, exemplified by the Internet and social media with the power to literally change history through an exponential expansion of human connectedness.
by Donald Liebenson"Inmates with guns, that's kinda new," Mel Gibson's Yanqui with No Name (or fingerprints) growls in "Get the Gringo." "I've got a lot to learn about this place." And there is a lot to learn about El Pueblito, a Mexican prison that makes Shawshank look like Otis Campbell's quaint little cell on "The Andy Griffith Show."
• Michał Oleszczyk in PolandThe opening shot of Jerzy Kawalerowicz's "Night Train" (1959) is an overhead one: we see the human swarm of the Polish city of Łódź, presented as an unruly collection of points moving up and down a vast staircase. They all seem pitted against one another by some unseen pinball player -- and yet never quite collide. The perspective we are forced to assume is almost cruelly impersonal in its design: if one squints one's eyes, one could see it all as a whirring bacteria colony under a microscope. Had it been not for Wanda Warska's moody jazz hum (a variation on Artie Shaw's "Moon Ray"), the shot would seem unbearably cold and detached. As it is, with the wistful music trickled all over the image, it's just very, very sad.
• Pablo Villaça in BrazilAfter discovering that a cancer will take her life within a few months, Ann, a young 23 years-old, makes two important decisions: to hide the disease from everyone (including her husband and their two young daughters) and to draw up a list of things she wants to do before her death -- and her wishes include "making love to another man" and "causing someone to fall for me." This is the point at which "My Life Without Me," directed and written by Isabel Coixet, risks scaring away its viewers: the attitudes of Ann show, yes, selfishness and immaturity.
• Video essay by Michael Mirasol in AustraliaWith the unparalleled box office success of "The Avengers," superheroes are back in the spotlight. Most comic book aficionados are delighted with the recognition. But believe it or not, there are those such as myself who are dismayed at how superhero films, though more popular than ever, seem to be losing their luster.
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Linked here are reviews in recent months for which I wrote either 4 star or 3.5 star reviews. What does Two Thumbs Up mean in this context? It signifies that I believe these films are worth going out of your way to see, or that you might rent them, add them to your Netflix, Blockbuster or TiVo queues, or if they are telecast record them.

Gathered here in one convenient place are my recent reviews that awarded films Zero Stars, One-half Star, One Star, and One-and-a-half Stars. These are, generally speaking to be avoided. Sometimes I hear from readers who confess they are in the mood to watch a really bad movie on some form of video. If you are sincere, be sure to know what you're getting: A really bad movie.
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