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movie Glossary
Post-Apocalyptic Mechanical Darwinism
Doctrine that holds that in any movie set in the post-apocalyptic future only the most destructive products of society will survive i.e., guns, explosives, fast cars, nuclear devices, cigarettes. Common, plentiful and beneficial things (toasters, telephones, indoor plumbing) will have perished from the earth. Example: In "Waterworld," clumsy, impractical jet skis survived while millions of other boats, from dinghies to ocean liners, apparently did not. MERWYN GROTE, St. Louis, Missouri
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Battleship (PG-13)
"This could be like Columbus and the Indians," a nerdy radio astronomer worries. "Except we're the Indians." From a powerful transmission facility in Hawaii, he's supervised the transmission of a signal to the Earth-like Planet G in another galaxy, and in no time at all, aliens come calling. Considering that they arrive in weeks, they must have discovered faster-than-light speeds, so it's a little strange that when they arrive they're strictly analog. Their vast warships splash down in the Pacific (except for fragments that devastate Hong Kong in one of those toppling skyscraper scenes so beloved in disaster movies). But these alien craft are only armed at a level that makes their battle with U.S. warships more or less a standoff.

Bernie (R)
I would buy a used coffin from this man. In Richard Linklater's droll comedy "Bernie," Jack Black plays an east Texas funeral director named Bernie Tiede, and it is surely one of the performances of the year. I had to forget what I knew about Black. He creates this character out of thin air, it's like nothing he's done before, and it proves that an actor can be a miraculous thing in the right role.

What to Expect When You're Expecting (PG-13)
Just what we needed. First "Friends With Kids" two months ago, about three couples who confront pregnancy, and now "What to Expect When You're Expecting," about five couples so much in synch that deliveries and an adoption occur on the same day. I'd rather see a movie about one couple, treated in some depth, than these round-robins with the editor working up a sweat to keep all the stories in the air.

The Samaritan (Unrated)
One difference between film noir and more straightforward crime pictures is that noir is more open to human flaws and likes to embed them in twisty plot lines. "The Samaritan" isn't a great noir, but it's true to the tradition and gives Samuel L. Jackson one of his best recent roles.

Quill: The Life of a Guide Dog (Unrated)
What sets this film above so many movies about animals is that it's about a dog who is realistic in every aspect. "Quill: Life of a Guide Dog" doesn't use fake closeups to show the dog being cute or funny. It doesn't dub Quill's "dialogue" or even worse, use CGI to move his jaw and show him "speaking." Quill is a dog, and that is quite enough.

Where Do We Go Now? (PG-13)
Here's a notion: Peace in the Middle East would come about more easily if the region were governed by women. After relegating women to inferior or invisible roles in society, many of the region's nations are governed by men who want to prove how macho they are. Even religious strife is largely fueled by testosterone, not theology. Although women are also flawed, by their natures they lean toward compromise and accommodation. They don't see everything as a test.

The Dictator (R)
"The Dictator" is funny, in addition to being obscene, disgusting, scatological, vulgar, crude and so on. Having seen Sacha Baron Cohen promoting it on countless talk shows, I feared the movie would feel like deja vu. But no. He establishes a claim to be the best comic filmmaker now working. And in a speech about dictatorships, he practices merciless political satire.

Dark Shadows (PG-13)
Tim Burton's "Dark Shadows" is all dressed up with nowhere to go, an elegant production without a central drive. It offers wonderful things, but they aren't what's important. It's as if Burton directed at arm's length, unwilling to find juice in the story. Yes, the original TV soap opera is a cult classic, but he approaches his "Dark Shadows" as an amusing trifle, and for a feature-length film, we need more than attitude to sink our teeth in.

Headhunters (R)
It's not often a thriller keeps me wound up as well as "Headhunters" did. I knew I was being manipulated and didn't care. It was a pleasure to see how well it was being done. Unlike too many thrillers that depend on stunts, special effects and the Queasy-Cam, this one devises a plot where it matters what happens. It's not all kinetic energy.

The Sound of My Voice (R)
"The Sound of My Voice" is a sci-fi thriller made with smoke and mirrors. No special effects, no other worlds, only the possibility of time travel, which you can't show but can only talk about. In fact, it's probably not science fiction at all, but belongs in some related category, like a story from the old Weird Tales magazine.

God Bless America (R)
The first half hour or so of Bobcat Goldthwait's "God Bless America" promises so much more than the film is finally able to deliver. Here is a film that begins with merciless comic savagery and descends into merely merciless savagery. But wow, what an opening.

Girl in Progress (PG-13)
A high school lesson plan calls for a study of coming of age. The teacher approaches this topic as if it's uncharted territory for her teenage students. Maybe she's right. A student named Ansiedad (Cierra Ramirez) does some extra study outside class and begins a project to deliberately and consciously come of age.

The Avengers (PG-13) (5/2) »

The Best Exotic Marigold Hotel (PG-13) (5/2) »

Surviving Progress (Unrated) (5/2) »

Keyhole (R) (5/2) »

The Raven (R) (4/25) »

Darling Companion (PG-13) (4/25) »

La Collectionneuse (Unrated) (1967)
During lazy summer days and nights, the subjects of "La Collectionneuse" practice idleness and slow-motion mind games in a villa in the hills above St. Tropez on the French Riviera. Sensuality is always in the air, where it drifts aimlessly. This is the third of Eric Rohmer's Moral Tales, the first at feature length, the first filmed in color. It functions as a jumping-off point for the rest of his long career.

Joss Whedon's "Marvel's The Avengers (Based on the Novel 'Push' by Sapphire)" would have had to have been an amazing colossal fiasco for it not to be a mega-hit in its opening week. I mean, what other picture has had a whole series of $100 million-plus blockbusters basically working as feature-length trailers for it over the course of the past three years? There's "Iron Man" (2008), "The Incredible Hulk" (2008), "Iron Man 2" (2010), "Thor" (2011), "Captain America: The First Avenger" (2011) -- all of which ("The Hulk" aside, for the moment at least) have their own sequels in the works as part of the "Marvel Cinematic Universe" production deal Marvel and Paramount set up in 2005. And you've got decades of comic books behind the Avengers, too. So, you might say the movie's superpower is that it was "critic proof."

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The Opening Shots Project Index


Women are nicer than men. There are exceptions. Most people of both sexes are probably fairly nice, given the nature of their upbringing and opportunities. But in terms of their lifelong natures, women are kinder, more empathetic, more generous. And the sooner more of them take positions of power, the better our chances as a species.
In those years we lived close to the ground. My earliest memory is lying flat on my stomach on our front sidewalk, my nose inches from a procession of ants. When you are short and a child, the earth is close and the world of adults towers above. You'd like to climb to the top shelf where you think the Oreos might be, but a more reliable entertainment is to use a sheet to make a cave out of a side table. I listened to the Lone Ranger while hiding under my bed, where I felt safe.
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by Barbara Scharres

The pizza they make in Cannes is unique: a less-is-more creation that is flat and crispy, thoroughly Mediterranean and packed with Riviera flavor. Alleged "European-style" pizzas peddled in the U. S. never seem to achieve that micron-thin crust covered by the faintest wash of tomato sauce, a mere garnish of cheese, and earthy ingredients that can include artichokes or thinly sliced eggplant, generous oregano, and tiny Cannes-grown olives (complete with pits). It's seared in an oven at an impossibly high temperature so that that everything melds into a glorious crackly flatbread that has nothing in common with the doughy excess of American pizza.
by Donald Liebenson

Watching "Norman Mailer: The American," I was struck by the similarities between Mailer and Charles Foster Kane. And it's not just that director Joseph Mantegna (not the actor) at one point employs the title card for "Citizen Kane's" faux newsreel "News on the March" to setup some archival footage. Or the fact that "American" was originally the proposed title for Orson Welles' masterpiece.
by Jeff Shannon

As I reflect on my life, I grow increasingly grateful for having witnessed the greatest half-century in the history of the United States. Consider just a few of the crucial events that have shaped us during the past 50 years: The civil rights movements for African-Americans, women and the disabled; the war in Vietnam and its domestic fallout; landing on the moon and exploring the outer reaches of the universe; the global trauma of AIDS and seemingly perpetual threats of war and terrorism; and, perhaps most important, the emergence and meteoric rise of the digital age, exemplified by the Internet and social media with the power to literally change history through an exponential expansion of human connectedness.
by Donald Liebenson

"Inmates with guns, that's kinda new," Mel Gibson's Yanqui with No Name (or fingerprints) growls in "Get the Gringo." "I've got a lot to learn about this place." And there is a lot to learn about El Pueblito, a Mexican prison that makes Shawshank look like Otis Campbell's quaint little cell on "The Andy Griffith Show."
• Michał Oleszczyk in Poland

The opening shot of Jerzy Kawalerowicz's "Night Train" (1959) is an overhead one: we see the human swarm of the Polish city of Łódź, presented as an unruly collection of points moving up and down a vast staircase. They all seem pitted against one another by some unseen pinball player -- and yet never quite collide. The perspective we are forced to assume is almost cruelly impersonal in its design: if one squints one's eyes, one could see it all as a whirring bacteria colony under a microscope. Had it been not for Wanda Warska's moody jazz hum (a variation on Artie Shaw's "Moon Ray"), the shot would seem unbearably cold and detached. As it is, with the wistful music trickled all over the image, it's just very, very sad.
• Pablo Villaça in Brazil

After discovering that a cancer will take her life within a few months, Ann, a young 23 years-old, makes two important decisions: to hide the disease from everyone (including her husband and their two young daughters) and to draw up a list of things she wants to do before her death -- and her wishes include "making love to another man" and "causing someone to fall for me." This is the point at which "My Life Without Me," directed and written by Isabel Coixet, risks scaring away its viewers: the attitudes of Ann show, yes, selfishness and immaturity.
• Video essay by Michael Mirasol in Australia

With the unparalleled box office success of "The Avengers," superheroes are back in the spotlight. Most comic book aficionados are delighted with the recognition. But believe it or not, there are those such as myself who are dismayed at how superhero films, though more popular than ever, seem to be losing their luster.
thumbs
Linked here are reviews in recent months for which I wrote either 4 star or 3.5 star reviews. What does Two Thumbs Up mean in this context? It signifies that I believe these films are worth going out of your way to see, or that you might rent them, add them to your Netflix, Blockbuster or TiVo queues, or if they are telecast record them.
Gathered here in one convenient place are my recent reviews that awarded films Zero Stars, One-half Star, One Star, and One-and-a-half Stars. These are, generally speaking to be avoided. Sometimes I hear from readers who confess they are in the mood to watch a really bad movie on some form of video. If you are sincere, be sure to know what you're getting: A really bad movie.
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