movie Glossary
Naked Truth
The more notorious the nude scene, the harder it will be to take the actor/actress doing it seriously as a performer. The more credible the actor/actress already is, the less notorious the nude scene will be. MERWYN GROTE, St. Louis, Missouri
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The Joy of Singing (No MPAA rating)
Don't get the wrong idea. "The Joy of Singing" also could be titled "The Joy of Singing Rather Than Being Murdered." One of the meetings of Madame Eve's voice class begins with her tearful announcement that two of the group have been found dead. Her students eye one another uneasily. Who will be killed next? We wonder, too.
Q. Upon asking my 25-year-old sister what she would like for Christmas, she responded with the following: " 'It's a Wonderful Life' on DVD -- but make sure it's in color!" Disgusted, I asked her why she would ever want to watch the colorized version over the black-and-white original. Her response made me laugh. "Well, how am I supposed to tell what color Zuzu's petals are?"
Eternal Sunshine of the Spotless Mind (R) (2004)
Visiting an old people's home, I walked down a corridor on the floor given over to advanced Alzheimer's parents. Some seemed anxious. Some were angry. Some simply sat there. Knowing nothing of what was happening in their minds, I wondered if the anxious and angry ones had some notion of who they were and that something was wrong. I was reminded of the passive ones while watching "Eternal Sunshine of the Spotless Mind." Wiped free of memory, they exist always in the moment, which they accept because it is everything.
I asked myself, who is this guy named Matthew Dessem? I'd be doing reading for one of my Great Movies pieces, and I'd encounter an essay by him on a site called the Criterion Contraption. The Criterion Collection is the standard bearer among high-quality DVDs, but he wasn't associated with them, except in an indirect way: He has set himself the goal of seeing and writing about every single film in the Collection!
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"Synecdoche, New York" (2008) is the best film of the decade. It intends no less than to evoke the strategies we use to live our lives. After beginning my first viewing of it in confusion, I began to glimpse its purpose and by the end was eager to see it again, then once again, and I am not finished. Charlie Kaufman understands how I live my life, and I suppose his own, and I suspect most of us. Faced with the bewildering demands of time, space, emotion, morality, lust, greed, hope, dreams, dreads and faiths, we build compartments in our minds. It is a way of seeming sane.
Look at it this way. We have the chance to see virtually every American film that's released, and many of the English language films in general. But with the crisis in U.S. distribution, the only foreign-language films are those someone paid hard cash for, and risked opening here. "You always like those foreign films," I'm told, often by someone making it sound like a failing. Not always, but often. They tend to involve characters of intelligence and complexity. If they're about people of subnormal intelligence, they're about that, or acknowledge it. In most of the world, people want to hurry into adulthood, not clinging to adolescence.
True, the once neglected art of animation has undergone a rebirth in both artistry and popularity. Yet having escaped one blind alley, it seems headed into another one: The dumbing-down of stories out of preference for meaningless nonstop action. Classic animated features were models of three-act stories: Recall "Snow White and the Seven Dwarfs" or "The Lion King." The characters were embedded in stories that made sense and involved making decisions based on values. Now too many stories end in brain-numbing battles, often starring heroes the age of the younger audience members. Here is no food for growth and for the imagination, just brainless kinetic behavior.
I was born on the 20th of March 1974 in sunny Johannesburg. My love of movies began at a very young age. 80's classics like "E.T. The Extra Terrestrial," "Back to the Future" and "Rain Man" inspired me to study film after leaving school. At the Pretoria Technikon Film and Television School, my natural talent for low budget clay-mation was discovered when I threw together a one minute mixed-media animated short in the space of a day, which went on to score a unanimous 95% from the resident lecturers.
I was born on February 6, 1975, into a quiet family in San Juan, Metro Manila (Philippines). I barely remember anything in that time before we moved at the turn of the 80s. From what I recall, I grew up in a fairly middle class neighborhood, but my mother would tell you that we were always poor. Thanks to mom and dad though, it never felt that way.
thumbs
Linked here are reviews in recent months for which I wrote either 4 star or 3.5 star reviews. What does Two Thumbs Up mean in this context? It signifies that I believe these films are worth going out of your way to see, or that you might rent them, add them to your Netflix, Blockbuster or TiVo queues, or if they are telecast record them.
Gathered here in one convenient place are my recent reviews that awarded films Zero Stars, One-half Star, One Star, and One-and-a-half Stars. These are, generally speaking to be avoided. Sometimes I hear from readers who confess they are in the mood to watch a really bad movie on some form of video. If you are sincere, be sure to know what you're getting: A really bad movie.
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