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Cleopatra in the Commissary Phenomenon
In any movie about the movies, in any scene shot on a studio back lot, countless extras walk around in outrageous period costumes that haven't been used in years, and recognizable historical figures like Cleopatra, Lincoln and Napoleon are often seen lined up at the catering line for lunch. (See the two Redcoats in "Get Shorty.") GREG BROWN, Chicago.
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Broken Embraces (R)
Pedro Almodovar loves the movies with lust and abandon and the skill of an experienced lover. "Broken Embraces" is a voluptuary of a film, drunk on primary colors, caressing Penelope Cruz, using the devices of a Hitchcock to distract us with surfaces while the sinister uncoils beneath. As it ravished me, I longed for a freeze frame to allow me to savor a shot.

Avatar (PG-13)
Watching "Avatar," I felt sort of the same as when I saw "Star Wars" in 1977. That was another movie I walked into with uncertain expectations. James Cameron's film has been the subject of relentlessly dubious advance buzz, just as his "Titanic" was. Once again, he has silenced the doubters by simply delivering an extraordinary film. There is still at least one man in Hollywood who knows how to spend $250 million, or was it $300 million, wisely.

Up In the Air (R)
Ryan Bingham is the Organization Man for the 2000s. He never comes to the office. Technically, he doesn't have an office, he has an address where his employer has an office. His life is devoted to visiting other people's offices, and firing them. “Up in the Air” takes the trust people once had in their jobs and pulls out the rug. It is a film for this time.

The Young Victoria (PG)
Orson Welles allegedly said a movie studio was the best toy train set a child could ever desire. He should have been Queen Victoria. She was crowned in 1837, and ruled until 1901, queen of the greatest empire the world has ever known. She was married to Albert, her great love, from 1840 to 1861, and though she was a widow for the next 40 years, at least unlike many monarchs, she wed the man of her choice.

Mammoth (No MPAA rating)
Our health-care system rests, to a sizable degree, upon the shoulders of Filipino doctors, nurses, patient-care specialists and caregivers. There is a reason for this. Medical schools in the Philippines produce many graduates who take such jobs in North America, where there is a perennial shortage.

Cloud Nine (No MPAA rating)
When I was much younger, I would meet experience an oh, no! feeling if I realized I was falling in love. It was a mixture of joy in the moment and dread of the usual complications that had, around the age of 19, tutored me that there was no such thing as living happily ever after -- usually, anyway. I suspect that feeling never entirely leaves us. Consider the German film "Cloud 9," with Inga (Ursula Werner), who is 67 and has been married with reasonable happiness for 30 years to Werner (Horst Rehberg), and finds herself knocking hopefully on the door of a 76-year-old man she hardly knows.

Did You Hear About the Morgans? (PG-13)
What possible reason was there for anyone to make "Did You Hear About the Morgans?" Or should I say "remake," because this movie has been made and over and over again, and oh, so much better.

Invictus (PG-13)
Morgan Freeman has been linked to one biopic of Nelson Mandela or another for at least 10 years. Strange that the only one to be made centers on the South African rugby team. The posters for Clint Eastwood's "Invictus" feature Matt Damon in the foreground, with Freeman looming behind him in shadowy nobility. I can imagine the marketing meetings during which it was lamented that few Americans care much about about Mandela and that Matt Damon appeals to a younger demographic.

The Princess and the Frog (G)
The opening scenes of Disney's "The Princess and the Frog" are like a cool shower after a long and sweaty day. This is what classic animation once was like! No 3-D! No glasses! No extra ticket charge! No frantic frenzies of meaningless action! And . . . good gravy! A story! Characters! A plot! It's set in a particular time and place! And it uses (calm me down here) lovingly hand-drawn animation that proceeds at a human pace, instead of racing with odd smoothness. I'm just gonna stand here and let it pour over me.

Me and Orson Welles (PG-13)
Remember that Orson Welles himself didn't always look like Orson Welles. He was a master of makeup and disguise, and even when appearing in the first person, liked to use a little putty to build up a nose he considered a tad too snubbed. The impersonation of Welles by Christian McKay in "Me and Orson Welles" is the centerpiece of the film, and from it, all else flows. We can almost accept that this is the Great Man.

Collapse (No MPAA rating)
If this man is correct, then you may be reading the most important story in today's paper.

I have no way of assuring you that the bleak version of the future outlined by Michael Ruppert in Chris Smith's "Collapse" is accurate. I can only tell you I have a pretty good built-in B.S. detector, and its needle never bounced off zero while I watched this film. There is controversy over Ruppert, and he has many critics. But one simple fact at the center of his argument is obviously true, and it terrifies me.

The New Year Parade (No MPAA rating)
I'm pretty much paraded out. The high point for me was the Fourth of July 25 years ago in Three Oaks, Mich., where Shriners performed an intricate choreography while riding their power mowers. But I now believe Philadelphia's Mummers Parade must be worth attending every year. The marchers aren't hauling ads for Pepsi or anchoring giant inflated Ronald McDonald balloons. They march because of fierce generational pride.

Brothers (R) (12/2) »

Everybody's Fine (PG-13) (12/2) »

Q. I want to correct part of your "2012" review. You write, "Also on board are the humans chosen to survive, including all the characters who have not already been crushed, drowned or fallen into great crevices opening up in the earth.
25th Hour (R) (2002)
Depend upon it, Sir, when a man knows he is to be hanged in a fortnight, it concentrates his mind wonderfully. -- Dr. Johnson

Tomorrow morning, Monty Brogan is turning himself in to begin a prison term. His two best friends lean on a railing , look out over the river, and agree "it's over." They will never see Monty again. He may be alive in eight years, but he won't be the Monty they've known since they were kids. Monty Broken also knows this. So do his girlfriend and his fat her. It will all end after tonight.
LOS ANGELES (AP)— Roy E. Disney, the son and nephew of The Walt Disney Co. founders who twice led shareholder revolts that shook up the family business, died Wednesday. He was 79.

The Walt Disney Co. announced that Disney died in Newport Beach, Calif., after a bout with stomach cancer.

I went to see Ricky Jay's new show, "Rogue's Gallery," at the Royal George. I've seen him more than once before, so I was prepared for an astonishing show. He's one of the great card manipulators of all time, and he outdid himself.

NEW YORK (AP) — The Iraq war drama “The Hurt Locker” added to its award-season momentum, winning best film from the New York Film Critics Circle.

The group, which announced its selections Monday, also awarded best director to Kathryn Bigelow of “The Hurt Locker.” Those choices mirrored the selections of the Los Angeles Film Critics Association, which were announced Sunday.

These are your Oscar front-runners after Sunday's voting by three critics' groups: "The Hurt Locker." Jeff Bridges. Meryl Streep. Mo'Nique. Chrisophe Waltz. Kathryn Bigelow.

Close behind: "Up in the Air," Jeremy Renner, Yolande Moreau, Colin Firth, Carey Mulligan.

Thieves Like Us (R)
Like so much of his work, Robert Altman's "Thieves Like Us" has to be approached with a certain amount of imagination. Some movies are content to offer us escapist experiences and hope we'll be satisfied. But you can't sink back and simply absorb an Altman film; he's as concerned with style as subject, and his preoccupation isn't with story or character, but with how he's showing us his tale.
Shortly after getting gut-shot one of the characters in James Cameron's "Avatar" wisecracks: "This could ruin my whole day." I know the feeling. The line, like so many others, lands with a hollow thud.

To my eyes (and ears), "Avatar" is the first Cameron feature that's a near-total failure. Obviously, I'm not talking about ticket sales, since the movie just opened today, or the early reviews, most of which were ecstatic. I emphasize "my eyes" because: 1) the golden-saucer eyes of the lovely, elongated blue protagonists, the Na'vi, are their most prominent features; 2) the movie is explicitly about the act of seeing ("I see you" is one of its catch phrases, and the title of the Celine Dion-ish end-credits theme song that goes on and on); 3) the 3D process -- at least for me, with my particular prescription lenses behind those Polarized glasses -- is continually distracting.

Moments Out of Time 2009

Impressions Based on the Hype for the Movie Precious Based on the Novel Push by Sapphire

Eastwood vs. Pixar: Get off my virtual lawn

Go, Manohla, go!

Surprises? MSN Contribs' Top 10 Movies of 2009

Quentin Tarantino's Top 8 for 2009

close-up: a critical essay / dream sequence (rescued, restored)

Bordwell & Thompson: Crix of the '00s!

The Dark Knight is Confused

2009: Best of movie years... or not so much?

A Serious Man: Kafka in Minnesota

> > > >

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The Opening Shots Project Index

The thing about James Cameron is, he can get his mind around a project the size of "Avatar" and keep his cool. If it requires the development of untested technology, he takes the time to work on it. If he wants i create aliens human enough to be sexy and yet keep them out of the Uncanny Valley, he test-drives them. If it costs $250 million, as reported, or $350 million, as rumored, you reflect: That's a lot of money, but after seeing the movie I guess I saw most of it up there on the screen.

The problem with gifts is that you almost always give something you want for yourself. There are obvious exceptions, such as a woman giving a man a tie, but even then he is almost certain to receive the tie she thinks he should be wearing. Most of the time the rule applies, as I'm reminded every time I use Chaz's iPod, iPhone and MacBook Pro.

I write on a regular basis and while I do work as a film critic for Egypt's major film magazine 'C', I prefer writing about the history of motion pictures, film theory, and film analysis. My goal is to have most of my work published for the public to recognize. I have always felt that film is a medium that is often misunderstood as simply a form of entertainment (much like video games) and while it is that, some films exceed that notion and should be regarded as masterpieces of art regardless of the medium.

With this video essay by Ali Arikan of Istanbul, Turkey, I launch my site's new feature, Foreign Correspondents. Film commentators from all over the world will contribute their video reviews, observations, musings, philosophies and pronouncements. Ali has been an online friend of mine for untold years, and is a favorite poster on my blog.

thumbs
Linked here are reviews in recent months for which I wrote either 4 star or 3.5 star reviews. What does Two Thumbs Up mean in this context? It signifies that I believe these films are worth going out of your way to see, or that you might rent them, add them to your Netflix, Blockbuster or TiVo queues, or if they are telecast record them.

Gathered here in one convenient place are my recent reviews that awarded films Zero Stars, One-half Star, One Star, and One-and-a-half Stars. These are, generally speaking to be avoided. Sometimes I hear from readers who confess they are in the mood to watch a really bad movie on some form of video. If you are sincere, be sure to know what you're getting: A really bad movie.

in theaters
on dvd
Inglourious Basterds  (12/15)
Taking Woodstock  (12/15)
The Hangover  (12/15)
Arizona Dream  (12/11)
World's Greatest Dad  (12/8)
Public Enemies  (12/8)
The Cove  (12/8)
Coraline  (12/8)
A Christmas Tale  (12/1)
Funny People  (11/24)
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